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"Xiu Yuan Four Quality Exhibition" Landed In Shanghai City

2012/3/15 13:19:00 12

Fashion Design Embroidery Embroidery Embroidery And Straw Embroidery

The collection of Shanghai embroidery, Gu Xiu, hair embroidery, straw embroidery "

Embroidery Center

"Today, the exhibition was held at the exhibition center of national folk culture and folk culture promotion center of Shanghai. Over 200 pieces of works were exhibited in the exhibition for a month, free of charge to the public.

Shanghai embroidery, Gu Xiu, hair embroidery and straw embroidery are excellent traditional folk culture in China. They are listed in the list of intangible cultural heritages at the national, provincial and municipal levels.

Woollen embroidery

This is a Western handicraft embroidery process. The Opium War was handed down to Shanghai. Subsequently, people incorporated local handicraft embroidery into its craft, and gradually evolved into Shanghai embroidery with local characteristics. Gu embroidery was named after the Ming Dynasty's Master Lu Ming Yuan of Shanghai County, Songjiang County. It was famous for its painting, characterized by its exquisite workmanship and elegant form, and was also known as "painting embroidery".

Straw embroidery

It combines Chinese traditional straw painting and embroidery, and is created by a post-80s Shanghai girl. It has fine embroidery and exquisite brushwork.

Hair embroidery artist Zhou Yinghua

The works are carefully selected from the embroidery projects of the previous civil fair, which are from Gu embroidery inheritor Qian Yuefang, embroidery embroidery artist Zhou Yinghua, wheat straw embroidery artist Yao Yijia.

Shanghai Li Hui's Embroidery Art

Limited company.

Wheat straw embroidery craft artist Yao Yijia

In recent years, although all sectors of society are constantly calling for the protection and inheritance of China's excellent traditional culture, the state has also issued a series of protective measures and preferential policies. However, many non precious treasures still face the dilemma of lack of talent, lack of funds and lack of successors.

Since the establishment of the "non heritage" protection center in Shanghai, although the government has special funds every year, it is far from enough to support the protection, development and inheritance of an art.

Gu embroidery

Inheritor Qian Yuefang

Suzhou was originally the birthplace of hair embroidery, but now only one Zhou Yinghua in Suzhou city insists on making hair embroidery.

She regrets: "the existing embroidery workers are mostly forty or fifty years old. Young people are reluctant to do this (folk handicraft). They have low treatment, hard work, high technical requirements and long profit cycle.

It's really hard to cultivate inheritors who really love this line and are willing to give and study. "Zhou Yinghua admits that even his daughter has failed to inherit" hair embroidery "instead of being a teacher.

At present, she is trying to cultivate a college student, and what she will do in the future is not clear to her.

Speaking of such a variety of other artists also expressed their deep sympathy.

As the only child in the 1980s, Yao Yijia, a girl in Shanghai, felt lucky and responsible.

Yao Yijia studied at Donghua University.

Clothing design

In the process of contacting all kinds of clothing technology, he fell in love with embroidery, and subsequently incorporated straw painting into the process of studying, which became the straw embroidery now.

After graduation, she set up a studio, from business difficulties, no one to ask, to the arts and Crafts Association's "Bo Le" phase.

Yao Yijia thought he was very lucky, the folk handicraft inheritance's disqualification allowed him to have more opportunities, but such a "solitary battle" also felt the great responsibility.

For this reason, she had to make early plans for the future of wheat straw embroidery. "Study and study for another 20 years. After that, I will run a study class and concentrate my energy on inheritance."